THE VICTORIAN AGE | Spazio personale di mario aperto …

Another commercial Christmas industry was borne by Victorians in 1848 when a British confectioner, Tom Smith, invented a bold new way to sell sweets. Inspired by a trip to Paris where he saw bon bons – sugared almonds wrapped in twists of paper – he came up with the idea of the Christmas cracker: a simple package filled with sweets that snapped when pulled apart. The sweets were replaced by small gifts and paper hats in the late Victorian period, and remain in this form as an essential part of a modern Christmas.

Martin similarlydescribes Crowley as an expression of the late and post-Victorian Zeitgeist (188)

Many attribute the change to Queen Victoria, and it was her marriage to the German-born Prince Albert that introduced some of the most prominent aspects of Christmas. In 1848 the Illustrated London News published a drawing of the royal family celebrating around a decorated Christmas tree, a tradition that was reminiscent of Prince Albert's childhood in Germany. Soon every home in Britain had a tree bedecked with candles, sweets, fruit, homemade decorations and small gifts.

The Spirit of the Age: Victorian Essays | History On-line

He went to thebook- shelves; taking out a copy of THE BOOK OF LIES, he pointed to a passagein the despised chapter.

While not necessarily always writing medieval romances in poetic form, these later artists certainly have created works in the spirit of the historical romance.

Transcript of Positive and Negative aspects of the Victorian Age

While Charles Dickens did not invent the Victorian Christmas, his book A Christmas Carol is credited with helping to popularise and spread the traditions of the festival. Its themes of family, charity, goodwill, peace and happiness encapsulate the spirit of the Victorian Christmas, and are very much a part of the Christmas we celebrate today.

Unleashing the beast - Aleister Crowley ..

But if the Anglican Church was seen to be losing the working classes, Methodism was increasingly popular. It fitted the ethos of the age. Commerce and business brought a new spirit of self-help, popularised in the 1859 book of the same name by Samuel Smiles, with the opening line, 'Heaven helps those who help themselves'. Methodism stressed hard work and self-discipline, and this sentiment was reflected in the rise of evening classes for the working classes.

Charles Lutwidge Dodgson (Lewis Carroll): A Brief Biography

The modern world was opening up new opportunities for those who would work hard enough to take them. A new breed of self-made man - never a woman - had emerged. Proud of his accomplishments, these nineteenth century yuppies encapsulated the spirit of this cut-throat capitalism, sitting at their desks, twanging their braces and figuring out how to make more moolah.

Victorian Drama League Display Auditions - Theatrecraft

None of the stereotypes of Victorian England - narrow-minded, inhibited, moralistic, complacent - prepares us for the vitality, variety, and above all extraordinary quality of intellectual life displayed in this volume of essays. Selected and annotated by Gertrude Himmelfarb, a distinguished historian of Victorian thought, the writings address a wide range of subjects, including religion, politics, history, science, art, socialism, and feminism, by eminent figures of the era including Carlyle, Mill, Macaulay, Dickens, Eliot, Thackeray, Newman, Arnold, and Wilde. The selections reflect what Himmelfarb terms 'the spirit of the age', one that she characterises as contentious as well as earnest, given to high aspirations and convictions, and at the same time subject to deep anxieties and doubts. The Victorians, undisputed masters of the long, serious essay, found the genre congenial to the expression of their most compelling and provocative views. This volume offers a representative sampling of essays from the early, middle, and late Victorian periods, each accompanied by an introductory note. Himmelfarb also introduces the volume with two enlightening essays, one on the evolving spirit of the age, and the other on the essay as a genre and on the important periodicals that attracted such a large and engaged audience.