In the play, The Crucible, Arthur Miller portrays John Proctor, the protagonist, as a tragic hero who has a major flaw—lust for Abigail, his teenage house servant.
His style is rather simple, with simple sentence structure on the whole, and quite simple vocabulary, he wanted to keep everything simple in this way in 'The Crucible', to prevent focus being taken away from the plot and the problems that the characters were facing with each other.
Free Crucible Abigail Williams Essays and Papers
The Crucible reveals the intriguing and malicious character of Abigail Williams to be a manipulative and unabashed liar, who possesses the remarkable quality of self preservation even among what seem to be insurmountable odds....
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I was a bit wary going in to watch a play which seems to put the blame on believing teenage girls, given what we know now about abused young women not being believed. Kate Phillips, a recent drama school graduate, gives a mesmerising and subtle performance as the disturbed and disturbing Abigail Williams. However, I did think the production could have pushed a bit harder against the suggestion in Miller’s text that the unfolding disaster is down to Abigail’s calculated manipulation; Phillip’s watchful, smiling presence in scenes does suggest knowing deceit rather than a damaged young girl swept up with being needed and wanted for the first time in her life. After all, what do we think now about an adult man who sleeps with his teenage employee?
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In The Crucible by Aurthur Miller, Abigail Williams, the antagonist, displays signs of abnormal adolescent behavior, schizophrenia and shows that she cannot easily handle her emotions....
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However, there were other factors as well, such as Abigail Williams' affair with John Proctor, the secret grudges that neighbors held against each other, and the physical and economic differences between the citizens of Salem Village....
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First a confession: In 20 odd years of living and working in theatre this is the first production of The Crucible I have ever seen. I know what happens in it of course. It’s one of those classics that seep into your consciousness by cultural osmosis. And I have read it. Or rather I have read most of it. I remember as I slip into my seat this Thursday matinee in Leeds that I stopped reading a few pages from the end. I have had my whole life an immediate, visceral horror of executions bordering on phobia (too early exposure to a Madame Tussaud’s image of a guillotine I think). So I put the book down. I knew what was going to happen.