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This same approach can be found in the Danish-Icelandic artist Olafur Eliasson. Eliasson uses natural materials such as water, moss, lava rocks and algae, side by side with technology like spotlights, pumps and smoke machines.

"The purpose of art is washing the dust of daily life off our souls." -Pablo Picasso
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Eliasson’s Waterfall (2004) confronts fundamental perceptions of nature while addressing notions of space and movement. Using everyday industrial scaffolding and a system of plastic pumps that cycle the water, the artist evokes the site, sounds and rhythms of a natural waterfall, while also exposing the mechanics behind its construction and movement. Blurring the lines between the natural and constructed, this work invites viewers to reconsider their own experiences of nature, contemplating not just what they see, but how they see.

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Installation Art Movement, Artists and Major Works | …
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Throughout the past two decades, the installations, paintings, photography, films, and public projects of Danish-Icelandic artist, Olafur Eliasson (b. 1967), have served as tools for exploring the cognitive and cultural conditions that inform our perception. Ranging from immersive environments of color, light, and movement to installations that recontextualize natural phenomena, his work defies the notion of art as an autonomous object and instead positions itself as part of an active exchange with the visitor and his or her individualized experience. Described by the artist as “devices for the experience of reality,” his individual works and projects prompt a greater sense of awareness about the ways we both interpret and co-produce the world. By recreating the natural through artificial means and capturing it in both time and space, Eliasson's work encourages the renegotiation of linear perceptions of space as well as the line between reality and representation.