Eye contact deserves special mention. Americans generally give more eye contact when listening. In other words, a speaker only glances at the listener, while the polite listener looks at the speaker's eyes or face. However, a hard stare indicates anger, aggression, or defensiveness. When a listener looks down at the floor while being accused of something, it is often taken as an admission of guilt. We also tend to look away when asking an embarrassing question or one that makes us feel uncomfortable.
Clothes not only affect the way others perceive us, but they affect the way we feel about ourselves. People with new, stylish clothes generally feel more comfortable. Clothes that do not fit well make people look uncomfortable, unkempt, and disorganized. Clothes that are dirty, worn, or wrinkled can give others the impression that you don't care enough about yourself. Some then assume that, if you don't care enough to look professional, you don't care enough to do professional work. Clothes can also communicate economic status, occupation, and values.
Masquerades and Torchbearers Analysis - Masquerades ..
A selfie can, in some respects, be a more authentic representation of beauty than other media images. In an article for Psychology Today published earlier this year, Sarah J. Gervais, an assistant professor of psychology, wrote that: “Instagram (and other social media) has allowed the public to reclaim photography as a source of empowerment … [it] offers a quiet resistance to the barrage of perfect images that we face each day. Rather than being bombarded with those creations … we can look through our Instagram feed and see images of real people — with beautiful diversity.
The Deeper I Stare Into the Internet, the More I Get ‘Splained
All of this is the work of an instant. Then, with a single tap, you are ready to upload: to Twitter, to Facebook, to Instagram, each likeness accompanied by a self-referential hashtag. Your image is retweeted and tagged and shared. Your screen fills with thumbs-up signs and heart-shaped emoticons. You are “liked” several times over. You feel a shiver of — what, exactly? Approbation? Reassurance? Existential calm? Whatever it is, it’s addictive. Soon, you repeat the whole process, trying out a different pose. Again and again, you offer yourself up for public consumption.
The Deeper I Stare Into the Internet, the More I ..
Adams, Carol J. (2000) The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory. 10th Anniversary Edition. NY: The Continuum Publishing Company. Boje, David M. (1995) "" Academy of Management Journal. 38 (4), 997-1035. Currie, Mark (1998) Postmodern Narrative Theory. NY: St. martin’s Press. Firat, Fuat A. and Nikhilesh Dholakia (1998) Consuming People: from Political economy to Theaters of Consumption. London/NY: Routledge. Geis, Deborah R. (1993) Postmodern Theatric(k)s: Monologue in Contemporary American Drama. Ann Arbor, MI: The University of Michigan Press. Saner, Raymond (1999) "Organizational consulting: What a Gestalt approach can learn from Off-Off-Broadway Theater." Gestalt Review 3 (1): 6-21. Simard, Rodney (1984) Postmodern Drama: Contemporary Playwrights in America and Britain. Lanham, MD: University Press of America. Home Page
that's the impression I get the deeper I stare into ..
Thus far the hand gestures mentioned have involved one person. Probably the most frequent polite hand gesture involving two people is the handshake. If someone offers you his or her hand so that it is perpendicular to the floor, a neutral attitude is being conveyed. A hand with the palm facing down indicates that the person feels that he or she is dominant. This is also true if the hand starts vertical (neutral) and then is turned so that it is on top of yours. On the other hand (no pun intended), a person with the palm facing up is revealing an open and cooperative attitude. The slight palm-up offering should be the one used with your boss when you do NOT wish to challenge his or her position or authority.