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Crash Boom!
I eat poopy
I kicked the lights through the everlasting corridor
Gotta smile it keeps the tears away
and hurt my toe
why not
who always seemed to be bore
music don't jump like it used to
it is a bore
this is crazy
this is crazy
court
bla bla bla
poo
to takarah
grade 2 was the worst
I fondled my hamster with glee
and foetuses swirl loudly within the glass
and foetuses swirl loudly within the glass
I hit the sand and crawled toward the vascilating object
and foetuses swirl loudly within the glass
Hold the sword with an iron grip
Why o why shall you die.
but not too hard, you can get hurt
your death is odd and curious
for my pants were on fire
a life that was odd and penurious
test
And I sit waiting for next moring.
din mammam
din mamma luktar fisk jävla mes tönt hora
SHQIPTAR
Why must ít be so
It's raining
I like
i fear high water
saylor
bitches
what shall be done with my desire
fuck
There is a variety of poetry bots available on the web.

Any opinion that is not prasing mob psycho is considered a shitpost to you faggots.

Mob Psycho is not a fighting manga, it has fights but they're not the focus.


That would mean it's unnecessary, it's not because it gives characterization and talks more about other characters.


Poem of the Masses - Dr. Pangloss

The most psychic Reigen should be is being able to see spirits because of his constant exposure to Mob and

There are several possible explanations for the persistence of the vagina dentata myth, all of which relate to male fears of (symbolic) post-coital death: "man's fear of sexual intercourse with woman is based on irrational fears about the deadly powers of the vagina" (Barbara Creed, 1993). An illustration by Alfred Kubin is a clear example of this fear, depicting a man with an erection diving into an oversized vagina as if it were a swimming pool. Kubin's title, (1902), suggests that the male figure is leaping to his death. Semen can be said to symbolise life, thus the release of semen into the vagina may represent the transference of life from the penis to the vagina. Likewise, when the penis has ejaculated and withdrawn from the vagina, its flaccid state is perhaps symbolic of death when contrasted with its pre-penetration tumescence. The connection between sex and death is a well-established one: 'die' was an Elizabethan synonym for 'orgasm', 'go' was a Victorian colloquialism meaning 'orgasm' and 'die', and an orgasm is known as 'la petite mort' in France. Also relevant here is the previously discussed notion of the vagina as a harbinger of disease: perceived infections contracted from the vagina are perhaps symbolic of death. The central fear, however, is that of castration, that the vagina will bite off the penis during intercourse: "In the sexual act, the phallus is 'endangered' by the vagina. [...] The amorous act is the castration of the man" (Simon Reynolds and Joy Press, 1995). Stephen King (1988) admitted that his greatest sexual fear was "making love to a woman and it just slammed shut and cut your penis off", and a character in dreams that his wife's "cunt had dentures" (Malcolm Venville, 2010). Exploiting the vaginal slang term 'beaver', Stewart Ferris notes that both beavers and vaginas can "bite your fingers off" (2004), with the finger here being a clear substitution for the penis. , , and all exploit these fears, depicting women (played respectively by Sharon Stone, Madonna, and Famke Janssen) who either murder their partners during sex or literally fuck them to death (as do the mermaids in the film ). (A 2009 Madonna song featured the line "My sex is a killer".) Such behaviour amongst widow and redback spiders, praying mantises, midges, horned nudibranchs, and Photuris fireflies, is well-documented, and male honey bees are prone to sudden death shortly after ejaculation. (Such coital cannibalism actually has evolutionary advantages, as the body of the male, if eaten, provides nutrition for the gestating offspring.) This is a logical extension of the 'femme fatale' Film Noir archetype, the mythical succubus, and the 'honey trap' entrapment strategy.