[SS - 1] There are many foils of the main character, Hamlet....

This analysis maximizes the play's relevance to teenagers by prompting them to work out their own feelings about "payback" (revenge). The background and discussion questions in this will introduce the process of critical thinking about great works of literature.

In Franco Zeffirelli’s movie version of Hamlet, Fortinbras is not present in the movie at all....

While this shouldn't be the only "Hamlet" that children see, a good project would be to compare this version to the text of the play or to either the Gibson or the Brannagh films.

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17. Do you agree with the critical analysis of Hamlet contained in the Learning Guide?

This essay will analyse how the figure of Ophelia evolves in Shakespeare's Hamlet, in John Updike’s Gertrude and Claudius and in Graham Holderness’s The Prince of Denmark....

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When children are more sophisticated or when they are studying "Hamlet" in school, watch the Lawrence Olivier version of "Hamlet." This earned theAcademy Award for Best Picture in 1948 as well as Academy Awards for Best Actor (Olivier), Best Art Direction-Set Direction and Best Costume Design.

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However, in the play Hamlet by William Shakespeare and the novel Fifth Business by Robertson Davies, the secondary characters Horatio and Dunstan Ramsay respectively both play a crucial role in the fulfillment of “Fifth Business”.

Logue is very cinematic, vivid and concrete

Shakespeare’s use of the supernatural element helps give a definition to the play by being the catalyst of the tragedy that brings upon Hamlet’s untimely demise.

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Others apply the Oedipal analysis in a different way and suggest that Hamlet can't kill Claudius while his mother is alive because Claudius has stepped into the role of the father in Hamlet's Oedipal fantasy.

Freudian Psychoanalysis – Literary Theory and Criticism …

I think everyone is grossly mistaken about the Baz Luhrman version of Romeo and Juliet. I condede that it does not deserve to be ranked that highly but it is a very impressive piece of cinema and for secondary school children learning Shakespeare it is irreplacable in value. It is accessible, colourful, has a stellar cast and modern music which entices teenagers and they can then go on to discover the real Shakespeare. I think you have been to quick to dismiss it's merits.

Book Review: Allan Dwan and the Rise and Decline of …

Shakespeare also examines his favorite theme of the discrepancy between appearance and reality. The dilemma of what is "real" is established at the very beginning of the play. The dead King appears to have been bitten by a snake. In reality, he has been poisoned. The Ghost appears as an apparition from the depths of hell; in truth, he is the medium of reality, revealing the facts to Hamlet. Since Hamlet doubts the veracity of the Ghost's revelation, he decides to put on the appearance of being mad; in the process he really drives Ophelia mad, causing her death. At times it also seems that Hamlet's appearance of madness has become a reality. The duel scene also presents an appearance vs. reality. The duel appears to be an innocent competition between two rivals; in reality, it is a deadly match that causes the death of the four main characters. The most obvious, and perhaps the most clever, symbol of "Appearance vs. Reality" is the play-within-a-play. The actors, representing mythical figures, appear onstage and act out the events that have happened in reality. Hamlet carefully orchestrates this appearance so that he can gauge the degree of reality by Claudius' reaction. In summary, the theme of appearance vs. reality is so well developed that everything in the play must be questioned, for nothing appears certain.