Andrea Fraser’s(b. 1965) provocative work spans performance, institutional critique, video, and audience engagement. Open Plan: Andrea Fraserwill present her site-specific project, Down the River, which uses audio recorded at a correctional facility to bridge the social, cultural, and geographic divide separating museums from correctional facilities. Since the mid-1970s, the United States has seen a parallel boom in museum and prison construction, with some states, such as New York, recently reversing this trend with prison closures. Fraser’s sound installation seeks to reflect on the parts we play in sustaining these disparate institutions.
Public seminars on Down the River occur daily on the third floor: Monday–Friday at 2 pm; Saturdays and Sundays at 1 pm.
The exhibition includes some 40 works by Picasso and more than 100 works by the artists he influenced, including Gorky's Enigmatic Combat (1936–37) from the SFMOMA collection.
The exhibition also features works by other American artists inspired by Picasso, including Louise Bourgeois, Marsden Hartley, Lee Krasner, Man Ray, Claes Oldenburg, Andy Warhol, and Tom Wesselmann.
Guggenheim Museum Art Exhibit Dogs Strapped ..
The exhibition examines the fundamental role that Pablo Picasso's artwork played in the development of American art during the 20th century.
Beginning with the artist Max Weber, who developed a friendship with Picasso in the early 1900s, many American artists came to both acknowledge Picasso as the central figure of the modern movements and define their own artistic achievements through the absorption, critique, or rejection of his example.
San Francisco Museum of Modern Art · SFMOMA
Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture Through a rich interpretation of the remarkable photographs W. E. B. Du Bois compiled for the American Negro Exhibit at the 1900 Paris Exposition, Shawn Michelle Smith reveals the visual dimension of the color line that Du Bois famously called "the problem of the twentieth century." Du Bois's prize-winning exhibit consisted of three albums together containing 363 black-and-white photographs, mostly of middle-class African Americans from Atlanta and other parts of Georgia. Smith provides an extensive analysis of the images, the antiracist message Du Bois conveyed by collecting and displaying them, and their connection to his critical thought. You can purchase this book at
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These advancements were made all the more emphatic by the achievements of artists like the Washington painter Alma Thomas, who, at the age of eighty, was the first African American woman to have a solo exhibition at New York’s Whitney Museum of American Art in 1972.
Photography - Kansas City Art Institute
This exhibition will no doubt be a treat for all Bay Area audiences."
Picasso and American Art features a number of pieces that have never before been exhibited publicly in the United States, including Picasso's Still Life (1908); Untitled (1940) and Untitled (1941) by Louise Bourgeois; After Picasso (1998), Pyre (2003), and Pyre II (2003) by Jasper Johns; and several drawings from Johns's personal collection.
The Bowdoin Orient – News from Bowdoin College
March 17–June 11, 2017
The 2017 Whitney Biennial, the seventy-eighth installment of the longest-running survey of American art, arrives at a time rife with racial tensions, economic inequities, and polarizing politics. Throughout the exhibition, artists challenge us to consider how these realities affect our senses of self and community. The Biennial features sixty-three individuals and collectives whose work takes a wide variety of forms, from painting and installation to activism and video-game design.