He is finally content and welcomes death.
Absurdism and examples
Absurdism refers to humanity's need to look for a meaning to life and their inability to find one.
Absurdism was later reborn in a European existentialist movement, first recognised when the French Algerian philosopher and writer, Albert Camus, rejected certain aspects of it and published his own beliefs in 'The Myth of Sisyphus.'
Camus always said that the good times people have in life are what make it worth living.
While this “outsider” stance may be easy to ridiculeas adolescent self-absorption, it is also solidly supported by thephenomenology (or moral psychology) of first-person experience.The experience of anxiety also yields the existential theme of theabsurd, a version of what was previously introduced asalienation from the world (see the section on above).
Camus, Albert | Internet Encyclopedia of Philosophy
He is an admirer of Beckett, but sees his roots in the surrealist tradition of Spain, a country that has always been rich in fantasy and the grotesque (El Greco, Goya) and that in more recent times has produced such outstanding representatives of the modern movement as the painter Picasso (who has himself written two plays in an absurdist vein) and the writers Lorca and Valle Inclàn.
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In fact the Theatre of the Absurd can best be understood as a new combination of a number of ancient, even archaic, traditions of literature and drama.
The Joyful, Gossipy and Absurd Private Life of Virginia …
He imagines his own absurd downfall as if feels he deserves it.
is when two ideas that are contradictory to one another are placed together and are made significant.
Shown when Meursault is only able to obtain true happiness once he has been sentenced to death.
Death is his freedom.
Camus' theory of the meaningless of human life is shown when he realises that whatever happens, you live and die.
Hegemonic Masculinity in A Midsummer Night’s Dream …
The plays that we have classed under the label of the Theatre of the Absurd, on the other hand, express a sense of shock at the absense, the loss of any such clear and well-defined systems of beliefs or values.
There can little doubt that such a sense of disillusionment, such a collapse of all previously held firm beliefs is a characteristic feature of our own times.
Our Imaginary Weight Problem - The New York Times
In other words: while most plays in the traditional convention are primarily concerned to tell a story or elucidate an intellectual problem, and can thus be seen as a narrative or discursive form of communication, the plays of the Theatre of the Absurd are primarily intended to convey a poetic image or a complex pattern of poetic images; they are above all a poetical form.
1/2/2013 · How did we get into this absurd situation
The image can stand for any and all of these ideas, and its ability to embrace them all gives it the poetic power it undoubtedly posseses.
Not all the plays of the Theatre of the Absurd can be described simply as dreams (although Adamov's in this volume actually came to Adamov as a dream, Albee's is clearly far more firmly anchored in reality) but in all of them the poetic image is the focus of interest.